Las óleos de todo PITTONI, Giambattista


ID Image  Painting (From A to Z)       Details 
8555  
PITTONI, Giambattista, Annunciation ery
 
 Annunciation ery   1758 Oil on canvas, 153 x 206 cm Gallerie dell'Accademia, Venice
20644  
PITTONI, Giambattista, Christ giving the Keys of Paradise to St Peter (mk05)
 
 Christ giving the Keys of Paradise to St Peter (mk05)   Canvas 32 1/4 x 16 1/2''(82 x 42 cm)Model for an altarpiece Early collection IVN
8557  
PITTONI, Giambattista, Death of Sophonisba g
 
 Death of Sophonisba g   Oil on canvas, 165 x 214 cm Pushkin Museum, Moscow
20645  
PITTONI, Giambattista, Polyxenes Sacrificing to the Gods of Achilles (mk05)
 
 Polyxenes Sacrificing to the Gods of Achilles (mk05)   Canvas 22 x 38 1/4''(56 x 97 cm)Like the pendant,which follows this is an autograph replica of a picture in the collection of the Palazzo Taverna,Rome Early collection INV
43599  
PITTONI, Giambattista, Sts Jerome and Peter of Alcantara
 
 Sts Jerome and Peter of Alcantara   Oil on canvas, 275 x 143 cm
20646  
PITTONI, Giambattista, The Continence of Scipio (mk05)
 
 The Continence of Scipio (mk05)   Canvas 22 x 38 1/4''(56 x 97 cm)Early collection INV
51232  
PITTONI, Giambattista, The Sacrifice of Polyxena
 
 The Sacrifice of Polyxena   Oil on canvas, 129 x 94 cm

PITTONI, Giambattista
Italian Rococo Era Painter, 1687-1767 Italian painter and draughtsman. With Giambattista Tiepolo and Piazzetta, he was the most representative history painter of the Venetian Rococo. Besides altarpieces for Venetian and other churches as well as devotional images for private clients on both sides of the Alps, he painted subjects from mythology and Classical literature for collectors and connoisseurs in a Rococo idiom all his own; it is these secular pictures for which he is best known. Zava Boccazzi's catalogue raisonn of Pittoni's paintings (1979) includes 247 extant autograph works and 117 paintings now lost, destroyed or untraced. Binion's catalogue raisonn? of the artist's drawings (1983) lists 304 sheets. Pittoni's total output must have been far larger, as is evident from the drawings, many of which are studies for unknown works. For instance, Pittoni must occasionally have painted decorations for secular buildings and palazzi, probably in fresco, though none has yet come to light, with the notable exception of the few frescoes with scenes from the Life of Diana, painted in 1727 in the palazzetto Widman in Bagnoli di Sopra near Padua.



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